In "Interface" (1995), acclaimed filmmaker Harun Farocki embarks on a thought-provoking journey commissioned by the Lille Museum of Modern Art. Tasked with creating a video that encapsulates his artistic vision, Farocki delivers a captivating two-screen installation for the exhibition "The World of Photography." This innovative work, titled "Schnittstelle," delves into the complexities of engaging with pre-existing images versus crafting entirely new ones. At its core, the film poses a compelling question: What does it truly mean to manipulate images that are already in existence? The title "Schnittstelle" cleverly intertwines two concepts—'Schnitt,' which nods to Farocki's editing studio, and the 'human-machine interface,' highlighting the interaction between people and technology through tools like keyboards and mice. Through this exploration, Farocki invites viewers to reconsider the nature of creativity and representation in a world saturated with visual media. "Interface" is a critical examination of our relationship with images, making it a must-watch for anyone passionate about art, technology, and the power of visual storytelling.